But I am not sure if it would be an improvement over Satson for the kind of music I make. I would love to try their other console product, Britson. The only downside is Sonimus don’t offer demos of their products, which I do find quite strange. If the needle is hovering close to 0dBVS, I know I’m good.įor my music Satson performs as good or better than many of it’s much more expensive competitors and it is pretty easy on the CPU.Īt $39 Satson is really affordable as well. I use it to monitor the levels going into my mix bus.
Tubetech cl1b fabfilter pro q 3 series#
From what I gather Satson is inspired by the sound of SSL 4000 series consoles. It imparts a subtle but real character on the sound. I do use the channel component inserted as the first plugin on each channel of the mix (I also use Channel for gain staging).
![tubetech cl1b fabfilter pro q 3 tubetech cl1b fabfilter pro q 3](https://x3i4u3r4.stackpathcdn.com/wp-custom-content/uploads/2020/11/fabfilter-pro-q-3-tips-and-trick.webp?ext=jpg)
Sonimus Satson is a console emulation with two components: Buss and Channel. This is always the first plugin on my mix bus. If I hear the master bus beginning to clog up I know I’m pushing the individual channels too hard. Mixing into these plugins also helps me maintain good gain staging practice. The sound and behaviour of the mix bus plugins become a more integral part of the music. Doing it sooner rather than later allows me to maintain the balance of the mix better. I add them fairly early – as soon as the project has started to take shape a little bit.
![tubetech cl1b fabfilter pro q 3 tubetech cl1b fabfilter pro q 3](https://theproaudiofiles.com/wp-content/uploads/2018/12/FF_Pro-Q-3.png)
I don’t add them at the end of the project. The trick with any plugin on the above list is to mix into them from the beginning. But I switch things up and combine different plugins depending on what the situation calls for. At the moment the combination of Satson and VSC-2 is what I usually start with. It’s good to have options for different sonic signatures. The plugins I mostly use for this purpose currently include: The first group of plugins on my mix bus exists to breath some punch, mojo, cohesion and movement into the mix. In this post I have categorised my mix bus plugins into four groups based on their purpose: Vibe, Analysis, Safety and Referencing. I have also acquired some super helpful tools that help me a lot with referencing and analysis. The biggest change is that in the past couple of years I have started mixing into a bus compressor (instead of adding a bus compressor on the mix bus when the track is finished, if at all). What has changed since then? Well, almost everything. I first wrote about my master buss plugins about three years back.
![tubetech cl1b fabfilter pro q 3 tubetech cl1b fabfilter pro q 3](https://dt7v1i9vyp3mf.cloudfront.net/styles/news_large/s3/imagelibrary/I/IT_08_19_05A-vlHub4lbPuRJ_2dyE253fhvA5slNUem3.jpg)
If in doubt, it’s better to leave the mix bus empty until you have learned more about the topic and gained confidence. You also need to have good enough listening environment in order to make informed decisions. You want to make sure there is nothing going on that you aren’t aware of.
![tubetech cl1b fabfilter pro q 3 tubetech cl1b fabfilter pro q 3](https://www.fabfilter.com/img/videos/eq-matching-with-fabfilter-pro-q-2.jpg)
You must develop a thorough understanding of the plugins you decide to use on your master bus. It’s easy to ruin your mix if you go in too hard or use tools or techniques you don’t fully understand. You must be extremely careful with any processing that takes place in the mix bus. The master output channel is where your entire project comes together. Second: Mix bus processing is an advanced topic. Mastering is a whole different topic altogether, so let us not get those two confused! This post is about the tools that I am using on the mix bus while I am producing and mixing. Let’s get a couple of things straight before we begin.įirst of all, a definition. Whether I’m working on one of my own tracks or doing mixing work for a client, these are the tools that are seeing action on my mix bus at the moment. I wanted to share with you a little bit of my thought process as well as show you some of my favourite plugins. I’ve been steadily improving my mix bus skills and setup in the past few years.